Thursday, September 28, 2006

Pony rides? At Harbourfront??

i didn't even know there WAS an orchard. whoo hoo, check this out:

HarvestFest at Harbourfront Centre is back!

Music
Foot tapping Celtic fiddlers
Fig for A Kiss and Gypsy Jazz strummers Club Django.

Quilt Show
An exhibition of traditional and contemporary
quilts from the Waterloo County and Area Quilt Festival.

Family Activities
Other olde time country fair contests include the ZOOM! HarvestFest Olympics, featuring events like the Great Pumpkin Race, bean relay race, watermelon seed spitting contest and apple eating contest. Children can enjoy pony rides through the Harbourfront Centre orchard.

Tuesday, September 12, 2006

Marketing Suggestion

podcasts could also be mentioned in the newsletter (that just keeps getting better and better, by the way)
http://www.harbourfrontcentre.com/newsletters/Fall06/Sept_11_2006/index.html

Monday, September 11, 2006

Podcast Marketing

i think the podcasts should walk listeners thru exhibits at Harbourfront Centre.

i think listenership (staff AND patron) could be promoted by posting some signage at the very exhibits to be featured in the next podcast.

Monday, September 04, 2006

Audio Project, Progress + Challenges

1) i have 2 voice memos to throw into the harbourfront podcast effort -- i read a bunch of the signs off the wall regarding current exhibits into my i-talk. since they are always so good and since they are not written up much in marketing materials or ever shown on the website!!!

5:12 'Through the Lens of Now'

5:22 a show of photographs and artifacts of the "crazy house on the street" i.e. how artistic workmanship of singular neighbours, in toronto creates an urban vernacular from shifting contemporary neighbourhoods. my shock and delight (with my own two cents and background stories) is captured on this with a lot of background noise as kid groups went down the hall behind me, because there were 3 "tourist attractions" of areas in the city i lived
1) 77 yarmouth's elephant
2) the spool house
3) and the wedding cake house

Saturday, August 05, 2006

Joni, jobs and the cardboard guitar

i decided to get a JOB at harbourfront, even a nominally paying foh gig, because i deliberated SO LONG about spending $350 for an intimate (replete with a chance to meet the artist after the show) Joni Mitchell concert. it sounded so great and i wanted to go so bad. but i just didn't have THAT kind of money to spend on entertainment at the time, so i didn't go...

and since then she's retired from the music biz again right? and this one seems to have stuck too.

but, since missing that show, i was glad to be PAID to be on hand to take in many similarly magical and potentially life altering shows... some of which i wouldn't have even known about, if i hadn't shown up for work.

for example, i remember working in the studio during the vegetarian food fair that turned linds and cath vegan for MOST of the school year, and, i came to see the animal cruelty aspects of the issue clearly for the first time.

i had always felt conflicted because of the economics of meat and dairy, and was well aware of the message i wanted to send with my consumer dollar. but such an animal lover still had not noticed the rest of the reality??? t'was the comics that did it.

in response to an audience member that was criticizing him for making light of such terrible truth, i spoke up and complimented his use of the genre, and said that the humour was exactly what made the unbearable truth suddenly visible for me. and he said "quit stealing MY lines" and everybody laughed.

i think that was the first and only time i ever bought something from a performer while i was working. and i am still delighted with the autograph...

he had vowed never to marry again and his whole world changed in 3 months. she is the most altruistic person he has ever met and he helps her run the often illegal animal resuce out of the tiny nyc apt. when he opened the book to sign it, it already had "to pat burke" in it and he was embarrassed. i said, don't worry, i'll take it and so he crossed it out and put to kim, who the hell is pat burke??? and did a self portrait doodle with a vegan for life t-shirt and firecracker. that was the first and only time i bought something from a performer while i was working a show. he was awesome. a cardboard guitar??? c'mon now.
bizaro.


http://www.bizarro.com/vegan/vegan_cartoons.htm

*
remember when linds couldn't open the dressing room door for the handsome actor because her hands were shaking so bad, and so he had to do it for her?
*
i forget what show it was where the guy said 'all those doors i knocked on over and over? well, i work with those guys now and from time to time they'll say "remember when you first started knocking?"'
*

i went out to admire the rockstarness of mr. michael and davey c at hugh's room, at the boys do girls, and they were up to their own par and a part of a whole great line up, including kurt swinghammer, who i have never seen before.

listening, i was reminded that the sunflower sets for the joni mitchell show on city tv were done by him. a fact shared with me by the nice marketing/media guy at harbourfront (who had been at city at the time), and who went out of his way to enlighten me on the fact that the people "working on these shows are usually artist themselves."

it was good to finally actually SEE kurt swinghammer in action - i LOVE the guitar as percussion tool style. and, how i didn't know his covers were carol king songs! i knew them but to me they felt like james taylor tunes, and was glad to be corrected/again reminded of carole king's power (by a man).

Thursday, August 03, 2006

Diversity (and yet more marketing ideas)

trying to change mindsets in your organization?

i think the way harbourfront centre embraces diversity, in its programming and in its staffing, it is actually an entity that stands for acceptance, understanding, accomodation and inclusion. sponsored programming could be marketed internally to employees.

furthermore, support of such a unique and treasured art centre, in the public eye, would show an environment where all customers are welcomed and respected, and where their needs are understood and then, hopefully, even met.

harbourfront demonstrates beautifully countless ways of exhibiting intelligence, with effective communication and leadership. if you talk about sponsoring their programming, you talk about leveraging and celebrating diversity as a source of sustainable competitive advantage!
what a spotlight on an inclusive workplace and an accurate reflection of the communities served!

notes
Harbourfront Centre, on Toronto's waterfront, is an innovative non-profit cultural organization which creates, for a diverse public, events and activities of excellence that enliven, educate and entertain. Working in partnership with various communities, Harbourfront Centre nurtures and supports educational and recreational activity as well as contemporary artistic creation through showcasing Canadian and international talent. Our year-round operation offers some 4000 internationally acclaimed events ranging from music, literary and theatrical festivals to children’s activities and craft workshops. Harbourfront Centre is one of Toronto's most popular tourist attractions, drawing more than 3 million visitors and contributing over $126 million to the local economy annually.

* * *
yes it is true that we haven't had any podcasts since Milkfest.

"In order for us to effectively run podcasts, we have determined that we would need a part time resource and currently that is not within our budget for this year. We did think about bringing on board a volunteer, but we feel a dedicated resource is needed.We do hope to bring this program back next year."

Thanks for your interest and have a good day.

* * *

"I have also included recent marketing materials from Harbourfront Centre. I wanted to share examples of a wide variety of programming I personally continue to be very enthusiastic about and that I also hope may interest you.

Harbourfront Centre’s creative, current and cultural diversity is one exciting and cost effective way I have found to explore The World, through a near to you Toronto location.
*
the HEART of toronto's waterfront.
harbourfront centre is a registered, non-profit, charitable organization operating 10 acres of Toronto's central waterfront.

i LOVE the summer planner centerfold. why didn't THAT come with the e-newsletter?

Monday, June 05, 2006

The FEAR Hotline

416.352.1315 - the place to share your fears.

What scared you as a child? What scares you now? Images – thoughts - moments in your life. By leaving your message, you consent to your fear being used in the up-coming production of Static. We will also share your fear with others around the world via the Static Podcast. The first step to conquering your fear is to admit what scares you...

In Static, diverse artists use light, sound, visual art, dance, and video to explore man’s deepest fears: death, rejection, intimacy, loss and the unknown. A series of theatrical vignettes and interactive installations tell the story of Max and how he loses his ability to fear. Not only does this profoundly change his life, but also the lives of those around him. Audiences will be challenged to explore what it is like to live without fear. Or is fear a necessary emotion to really live?

* here's what i called in?
"I must put my faith in the benevolent universe. What else can I do? I imagine Canadians that have had to walk down the street, civilians in neighbourhoods where bombs are going off in mailboxes. How can I live without ignoring my fear? I will exorcize it on the fear hotline:
1) I am afraid that the lawn mower my new apartment neighbours won’t seem to store inside the shared garage is related to the suspicious boxes she was putting together in there (that she called “luggage”) for her trip to turkey that starts tonight... a shady sounding trip of many delays already. How can I overcome my racist fears about these persons from the middle east, neighbours in the place I ran to feel safe?
2) I am afraid that the guy I am meeting tonight is a stalker or a rapist or abuser that I will be stuck with, or running from for the rest of my life. And, he SEEMS nice enough. Furthermore, how can I learn what signals I am giving out that contribute to the demented patterns I find myself struggling with again and again? This whole fear ties in with my terror that my former landlord is a gangster/biker thug who is now officially out to get me because first I stood up to a sexual predator of a ttc officer he is in cahoots with and then tried to report his wrongdoing to corrupt local cops... and then, fled the area, sneaking off early on my lease. I am afraid I am still in danger of them now. See what I mean? So much to fear. So much fear about it." * * *

More information at Expect
Project Leads:
Laura Mullin and Chris Tolley of Expect Theatre and Spark Productions
Supported by:
Canada Council for the Arts, Ontario Arts Council, Toronto Arts Council, Laidlaw Foundation and Harbourfront Centre

Tuesday, May 30, 2006

Milkfest kidfusion

http://loguelikevogue.blogspot.com/2006/08/i-was-recording-engineer-once.html

what if kids ran the world?
kids DO come first at milkfest, even though the festival is named after the sponsor.

KIDFUSION is a blast man. i have helped many a four track jam get recorded into garage band, and it has been really fun.

(today, i brought my tuner. nevermind harmonics, that strat has GOT to step in line).

more l8r.

*
Hi Kim.

Thanks for the kind note! You were fantastic and (my God) did we work you!

I would be more than happy to give you a reference. Please feel free use me as a reference for future and if you would like a letter, just write something up and email it to me (you know better what you'd like me to say!). I'll happily add my 2 cents worth, put it on letterhead and sign.All the best.Chris.-- Expect Theatre / Spark Productions

*

Dear KIDfusion Artistic Director,
Via info@expect.org
EXPECT Theatre
The Case Goods Warehouse
Building 74
Studio 208
The Distillery Historic District
55 Mill St
Toronto, ON
M5A 3C4

Dear Chris,

Sorry I missed you and Laura at the wrap party. I would have like the chance to say “Congratulations on a really fantastic art installation at Harbourfront Centre!” I enjoyed working in the Lakeside Terrace during your multi-media initative, in celebration of the 25th Anniversary of Milkfest!

Some of MY favourite moments were 1) when Vanessa wrote EADGBE while I was working in volunteer registration chaos and had to use spit on my finger to wipe off the extra letter she jotted on her hand in error, 2) the guitar playing teenager guy rapping, “Yo, I want some free milk” and all the other clever rhymes while a female beauty of voice and face accompanied with her rich laughing thoughts, over the rhythm that Mical made with the technology itself, and 3) the crazy many kid number where I passed the mic around to shy kids asking each their name. What was YOUR favourite part of the festival???

How would you feel about providing me some kind of blurb of reference? Would Liz or Micah or others? As you know I am hoping for future art workshop presentations or podcast opportunites at Harbourfront and I welcome your support or advice…

Thanks again for inventing KIDfusion. I had a blast, tattooed even!

Monday, May 29, 2006

Milkfest jam

and scrambled eggs?

a FRIED egg? and a boiled egg and an easter egg and a whatever egg, i'll take one of each. Sho Mo and Monkey Bunch were really fun singing about breakfast feed (and there's free food for staff tonite) and 1313 ppl participated at the dan zanes dance party.

my dancing shoes are v. SHINY! did you have fun?

* * *

1) i am delighted to have bragging rights that an artist facilitator called in sick at kidfusion and i filled in.

2) i am proud of the fact that i did indeed sing one entire number at the jam party, even though it was just to j (who did NOT break out HER geetar as promised)

3) wasn't it nice that jeremy bought me a stella and wants to get together with me to jam?

4) after that second beer i am afraid i pinned my rough notes and marketing loot for the networking meeting with the publicity guru i am seeking TO THE STAFF BULLETIN BOARD. ack. what a weirdo...

5) after mr. management now kissed j on the lips in greeting calling her my dove, i sang along to she's no lady she's my wife... surely the rumours this year will be a little kinder than those past?

"hot is the new black."
i really miss my harbourfront friends. not to mention the programs themselves...

* * *
umen EkhMongolia’s world-renowned National Song and Dance Ensemble features virtuoso khoomi throat singers, traditional Mongol Tsaam masked dancers. and morin huur horse-head fiddle players. Experience songs and dance from the time of Genghis Khan to present day Mongolia in this not-to-be-missed Canadian premiere!
KIDfusionExpect Theatre (Toronto)Make your mark on the Milk Festival! Podcast, paint on the walls, record music, create a group piece of art...unleash your creativity and express your festival experience in this interactive, get-your-hands-on-it, art installation extravaganza!

Friday, May 19, 2006

Milkfest 2006

note: i have already volunteered as a workshop assistant for Milkfest in the hopes i can see SHO MO AND THE MONKEY BUNCH a bunch! when i'm telling people about them (and handing out milkfest flyers) i rave about how much i loved them at hillside. especially the song about environmentally friendly ponies!!!!
Kids' music that won't drive parents insane! Join these Toronto rockers for what Eye Weekly calls "a veritable romper room of Sgt. Pepper-ed brass marches, honky-tonk nursery rhymes and monkey-funk. Fun for the whole family, honestly." Toronto Star Stage, 30 min No Tickets required!
Sun May 21 11:30am 4:30pm
Mon May 22 11:00am, 1:00pm
Sat May 27 11:00am, 1:00pm
Sun May 28 11:00am, 1:30pm
More Information at the Monkey Bunch website!

AND, DON'T MISS DAN ZANES!
Milk Festival Birthday Party!Celebrate all of the magic of the past 25 years with Dan—former lead singer and songwriter for the legendary rock and roll band The Del Fuegos—and his band for cool concert and all-ages dance party! Tired of syrupy, repetitive kids' music? Dan's rockin' tunes will have the whole family grooving and singing along!Harbourfront Centre Concert Stage, 60 minTickets required; book now!
Sun May 21, 3:30pm Mon May 22, 3:00pm

Remember the Music With Bite?



DON'T FORGET! there's no ticket required for their show

The International Milk Festival!
Habourfront Centre, Toronto Toronto Star Stage
- 2 shows a day!!
May 21st (11:30am and 4:30pm)
22nd (11am and 1pm)
27th (11am and 1:00)

Milk Festival Information Hotline: 416-973-4000 (I heard on a recent podcast that it is $12.50 per monkey but that gets you a pass into the whole day of shows and fun at the Festival)

Sunday, May 07, 2006

Artist Residency vs. a Temp Craft Studio

don't you think harbourfront should have papermaking residency or something? it would be so perfect in the heat from the glass blowing and pottery. a LOT like Arizona.

i know, i'll do it!
could i start with the zoom room or something?
* * *
The Craft Studio at Harbourfront Centre Residency Programme
Hot Glass / Metal / Ceramics / Textiles
Founded in 1974 The Craft Studio is a unique Canadian institution that assists recent graduates and emerging craftspeople to establish professional careers; and exposes the public to the world of contemporary craft through residencies, exhibitions, workshops, lectures and classes.
Melanie EganCoordinatorCraft Studio at Harbourfront CentreContact: 416-973-4963 or rmegan@harbourfront.on.ca
Residencies are designed to assist and promote recent graduates and emerging craftspeople by providing time, facilities, professional development programmes and resources to create and develop work. Talent and commitment are encouraged in a community that advocates contemporary craft expression. The Craft Studio residency programme acts as a stepping stone between school and a professional career. It contributes to public education by providing a venue where the public can observe craftspeople at work

Thursday, April 27, 2006

Natrel Rink

Someday,
it would be fun to tell a few harbourfront rink stories, don't you think?

can you do a figure 8?
(and i don't mean the kind you do on horseback)my young friend maggie, who was born in arizona, is not yet a fan of the canadian winter sports. last year, she HATED skating. but i have since seen the perfect solution. i swear it will turn her into a skate lover. it would even work on me!i was out winter walking in a park in toronto and at the rink spotted a dad pushing his kid around on a chair on the ice! other kids were using the same kind of chair to balance themselves as they shuffled along on blades behind... a brilliant method! not every rink would allow such shenanigins, but i saw the perfect place! it was happening. the pusher dad, by the way, was a celebrity dad. a digger dad, none other than andy maize. isn't that cool? even if its cold. so go ahead, i dare you to try and tell me i don't know a good canadian skating site when i see one!

Monday, April 24, 2006

Carol Sheilds, A Celebration

during the days of the poetry circle, doppel would sometimes get me to tell people the story of what i learned at

Carol Shields: A Celebration
Apr 5, 7:30pm John Bassett Theatre
at Metro Toronto Convention Centre
an impressive lineup of Sheilds's peers and admirers gather to celebrate the canon of her fiction. Including Margaret Atwood, Ann-Marie MacDonald, Michael Ondaatje, Jane Urquhart and more.
HARBOURFRONT READING SERIES.

Saturday, April 08, 2006

Meeting Woody?

i want to tell you about one day, when i was working at harbourfront, on door at the pdt.

the show was starting and we were just about in late call mode. the doors to the theatre were closing and who should come barrelling, obvioulsy very late but still hoping to make the top of the show but a cutie in a canada hat that looked remarkably like woody harrelson.

as he rudely ran past me, i realized it WAS woody harrelson, and when i asked he said he didn't have a ticket. he had slowed down by then and i was travelling alongside him (leaving my post unattended) because he didn't know what door to go in and i said "it's okay, we'll work it out, come and see me at intermission" and put the program in his hands with my shaking hands and i dragged him toward and thru the aisle door that was closest. i was trying to hand him off to the orchestra usher, to find him a seat just as the lights were going dark but his wife and kids stood up and waved at him and he ran up the steps and pushed past the other sitters and sat down with them, just as the show began.

when i came back to the lobby my manager started crabbing out that i let a guy in without a ticket and stepped away from the door blah blah blah. i said, but we often let celebrities into our shows for free and that was an emergency late seating effort for woody harrelson.

she said WHO?
who's that?
and i said he's the star of that GO Further thing of Ron Mann's that's in the theatres right now.
and she huh?
and i said, he's woody on cheers. and she said, that guy was not.
and was mad at me and was marking me down for bad behavior AGAIN and whatever...
when then, shortly thereafter, box office closed and brought over the tickets that weren't picked up, as per normal protocal and there was a ticket there for woody harrelson. when i brought to the boss she ripped up the reprimand notes and when he came to see me at intermission i told him it was all good, i had his ticket.

but i can't remember for the life of me what the show was. all i remember is how much i shook. my hands were really, really shaking while i handled it all so speedily. and, it's like, i'm not even a fan or anything. so what's up with THAT?

Sunday, March 26, 2006

Ken Babstock Review Draft Re: Wed Apr 5

ken said
he was having trouble breathing (this was at the harbourfront reading).instead of saying WELL KEEP TRYING, really loud like i wanted toi accidentally laughed. and he did too. finally, making an expression other than tortured reading face...he really oughta quit smoking. i think oughta better tell him so...

poemetry lessons:
or, more notes about ken babstock

1. he is an extremely intelligent poet who assumes tremendous knowledge on the part of the reader. (unless you are in his classroom and then you can be as dumb as a stick and he will treat you with respect and simplify complex concepts effectively, without making you feel dumb, indeed making you feel encouraged and/or inspired)

2. despite this aforesaid intense intellectualism, his work manages to have a sensuality to it and often a very auditory pleasure to it also.


* *

Ken Babstock, Bill Kennedy, Don McKay and Darren Wershler-Henry

Ken Babstock was born in Newfoundland and grew up in the Ottawa Valley. His poems won gold with the 1997 National Magazine Awards. He has also won the Milton Acorn People's Poetry Prize and the Atlantic Poetry Prize. He presents his new collection, Airstream Land Yacht.

Bill Kennedy is the Artistic Director of The Scream Literary Festival, a poetry editor for Coach House Books and organizer of the Lexiconjury Reading Series. He presents Apostrophe, a poignant, banal, offensive, and hilarious new work of experimental poetry co-authored with Darren Wershler-Henry.

Don McKay has won the Governor General's Award and has been shortlisted twice for the Griffin Poetry Prize, most recently for Camber: Selected Poems. He reads from Strike/slip, a new collection exploring the fault line between poetry and landscape.

Darren Wershler-Henry teaches Communication Studies at Wilfrid Laurier University and is the author of two books of poetry and The Iron Whim: A Fragmented History of Typewriting. He presents Apostrophe, a poignant, banal, offensive, and hilarious new work of experimental poetry co-authored with Bill Kennedy

***
harbourfront thoughts:

the first day of poetry school i sat down on the steps beside ken, who was nervously smoking. i said "hey teacher. i see i've found the right building. is it okay if i just wait here and follow you into the classroom?"

when i went to hear him read at the iv lounge, i was enjoying ghost world, again. i'd bought it as a gift for kim but was reading it before it went off in the post. i remember not getting much time to read it, because i had beers with his friends karen, kim and the dark haired quirky girl who said i'd look good with a quill pen and almost hired me.

i remember i accidentally said "nice" out in to the pub at the end of poem, just like in school, and he laughed.

***
and, i have always trusted and enjoyed bill kennedy so much too. he is very funny! do they know each other?


the first reading i ever went out to, was when i was first back from arizona. re-braved as happens there, tanned, junkyard bejewled and, sandaled, i went out to the idler pub to hear moe berg read from his story collection.

eventually proprietor dude brought a long haired hooligan to share my table. when i'd agreed he said "this gentleman, he is a very famous poet." and i said "well, what do you think i am?" and bill kennedy laughed, grabbing his chair.


its free? i admit the pages thing sounds more and more intriguing...wrestling? insults?
On Wednesday April 19th, 2006 This Is Not A Reading Series and ECW present: Darren Wershler-Henry & Bill Kennedy, authors of Apostrophe, and Emily Schultz, author of Joyland

http://www.commutiny.net/lexiconjury/

Tuesday, March 21, 2006

Leslie Fiest, CIBC Stage etc.

http://www.soulshine.ca/reviews/liveReview.php?lrid=150
http://www.soulshine.ca/reviews/albumReview.php?arid=337

Harbourfront Marketing? & Speechless

I remember specifically when the Delightful Davey C said "that's how you do it." because i had showed up with a random mic-ready list of stuff to say. he also said "I like your voice," (when I was hating it) and "I like the spoken work stuff". I have taken much encouragement from his other comment "you should never aplogize for being you"

If I could find them and if I knew how I would post the audio on the blog.
***
His website says "Join the Woodshed Orchestra cooking live at a show near you.
Or reheat their recordings, which are available from http://daveclark.zunior.com/
Booking and Contact info: Dave Clark(416) 531-4646woodchoppers@sympatico.ca
Q. what IS contact improv (i.e. with dancers Andrea Nannn and Yvonne Ng)
"dance is not enough for me, there's no story."

LESSON #2)

when i had to get back up on the mic fright pony, i showed up for my music lesson with a list of things i felt like saying into a microphone. most of which were harbourfront slogans i found out were even thought up by harbourfront staff (not an agency) and used in the wonderful 30th anniversary campaign. slogans that i phoned michael in marketing that day, from my desk in the bank tower, to get. And then ddc and me made a boomwhacker racket in the back of it, which felt right because i was first exposed to those in the Lakeside Terrace during Milkfest.

***

LESSON #1)

Dave Clark (Rheostatics, Gord Downie) is a drummer, percussionist, vocalist guitarist, bassist, keyboardist, TUBAist, Geminim Award winning composer, bandleader, band manager, music instructor, conductor, audio engineer, producer, graphic artist, poet and mulit-media arts festival director who has participated in music and art internationally for more than 25 years, demonstratrating a high level of inventiveness and tenacity, running his free from improv orchestra the "Woodchoppers Association."

I think he brought his daugher to my papermaking workshop at Hillside. If it was him, he changed his hat. If it was him, thank GOD it took me a while to recognize him. And, thank god for the kind of god who witnessed the Dinner is Ruined band get booed by a nasty Rheo's audience and so joined them on stage. He said it changed his life, I still want to ask him how.

He's the kind Can rock guru who likes to be around when people cut their first records, when they are having the time of their lives making music. Or, becoming a band like Wayne Omaha did at the Gas Station... I would gladly play you the 2 min recording of my very inspirational first music lesson with said Canadian idol. I thought of it as sort of production instruction since we recorded almost every instrument in the room, playing to the tracks of the instruments we'd just previously recorded, you know?

It was fun, though I suffered the mic-fright.

Who knew drumming is so much like driving a tractor?

**

When ddc kicked me out of music school he said I should go to improv school and/or writing school. Or something like that. And I tried to take it as a compliment. And, so, it is because of him that I blew my brains out at the kareoke club in front of Martin Tielli and it is also his fault that I joined a cult called Toastmasters.

And, here's a few mentions in Soulshine reviews:

http://www.soulshine.ca/reviews/liveReview.php?lrid=147
http://www.soulshine.ca/reviews/liveReview.php?lrid=128

Sunday, March 19, 2006

Adventures of a Black Girl In Search of God, HCT

The story of how people who lose their faith, sometimes get it back again is shown in the inspired play Adventures of a Black Girl in Search of God. Rainey, played mesmerizingly by Karen Robinson, was happily married to her preacher husband with a daughter she adored, and a thriving medical practice. When the child dies in her mother’s arms from Meningitis, Rainey’s world loses all meaning. She pops so many pills to dull pain that she's literally torn her stomach apart creating a void and urge for eating dirt and ash. She has abandoned her profession, and concentrates instead on writing a thesis on the Death of God, while her marriage is in tatters and her beloved father is dying of a heart condition. Humour is provided in the antics of her father and friends who set about liberating lawn jockeys, and revealing Ontario black heritage history, while the entire show melds laughter and tears and emotions in flux.

The ancestors are a 15 member ensemble and life blood of the show, filling the stage with amazing vocals, sometimes percussion and all around mesmerizing music as well as constant motion and non stop beauty for the eye, while acting barefoot, as a creek, with their movement. A very confrontational performance style was powerfully shared on stage, by very talented actors, who also participated musically in varying degrees. Jackie Richardson made such a huge difference to the music, and thereby to the entire audience reaction to the play! What a powerful presence. What soulful voice. So dramatic! Charismatic! I think it has taken me such a long time to do a review because for me it was really meaningful show. And I really studied it. And, it moved me. And, I was delighted to get the foh staff invited to the cast party.

***
My parents and sister went to see the play, and had to leave in the middle with a theatre departer's commotion, because my dad couldn't stand the music, and was uncomfortable.
***
There is a very moving scene near the end, when the couple in process of divorce, reunite. I sobbed my head off every time I saw the show, and never later than that scene. I was recovering from my own divorce so the weeping was no doubt therapuetic but anyway, the momma character has a weird thing about the earth at the edge of Negro Creek and sometimes she even eats some of it. In this magical scene, her former lover calls her on it - he has seen her do it, and to communicate that, he does it too. Then they embrace...

A patron, one time after the show, said to me "Imagine! A man who would eat dirt for you." and I understood what she meant. I want that too. I long for a man who would climb a mountain and swim a river to be with me. Meanwhile, I am holding out for a man that I would eat dirt for. Do you know what I mean?

***


holy crap, is that bury me blues song ever HOT!
"if you don't call out my name i will not be alright" hot hot hot.

while, as for the feminist/chick factor, i remember a chick voice at hillside getting more laughter "he stole that from me you know." and, nathan lawr's chick laden video with the travelling set proves zunior is a really great place visit too... i watched it about 8 times in a row my first time... you should check it out!


***

The Bills - Music with Bite, Brig

Do You Crave Harmony? 30 years of noted performances
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The Music with Bite series is a season of interactive and intimate Sunday afternoon concerts for all ages. Audiences sing, dance, are introduced to traditional instruments or embark on a magical musical journey. ..

Each event was a refreshing experience where children can sit up close to the artist and after the concert enjoy a complimentary milk beverage and cookies, the first year I worked, and all the performances took place in York Quay Centre, and tickets cost $8 or Family 4 pack $25. Concerts were presented by Jeunesses Musicales, a movement which since 1949 has dedicated its work to youth and musical excellence. Its mission is to promote the development of the arts in Canada by bringing fine music to audiences of all ages.

Mar 20, 2005 1pm

I did a great job opening the house and greeting the patrons as they came in, for the Bills - the Bill Hilly Band that I had been looking forward to all season.These customers of course were little kids, and their families, and I asked every single one of them with eye contact and a big smile, if ohmigosh are those your DANCING shoes? or, do you think we'll get to clap today? or, oh, sing ALONG? ??? Eventually, I could hear the band behind the curtain snickering or laughing outright every once in a while, at some kid's wildly enthusiastic response and so I knew that they knew that this venue, was as keen as the visitors for them, and was doing the job up right...

The band of course, lived up to the hype and did their job up right. Goooooooood playing, and fun talk and jokes and well performed songs and inspired audience participation. It began when they walked into the room from behind the curtain and came up on stage through the people, playing their instruments acoustically like a parade... they stopped and used a bald man's head for some percussion along the way, if you can imagine. Ohmigosh, what a goooooooood show!I remember the boy who had the red flashing lights in his shoes, and who came right up to me as I was rescuing a stage crawler for parental return, and starting doing handstands on the dance floor to flash me his dancing shoes. It made us all laugh. And the very same stage crawler then started following me around until I gave up and just spent the rest of my shift on the dancefloor.

Except for when I bullied the Bidini babies. But that's another story...

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What a fantastic opportunity to sample music of diverse styles and influence in a friendly accessible format. All of the artist selected to perform at these concerts brought an element of interactivity, education and entertainment to their programmes.

Did you pull up a cushion or a seat, and join in this year's fun???