ken said
he was having trouble breathing (this was at the harbourfront reading).instead of saying WELL KEEP TRYING, really loud like i wanted toi accidentally laughed. and he did too. finally, making an expression other than tortured reading face...he really oughta quit smoking. i think oughta better tell him so...
poemetry lessons:
or, more notes about ken babstock
1. he is an extremely intelligent poet who assumes tremendous knowledge on the part of the reader. (unless you are in his classroom and then you can be as dumb as a stick and he will treat you with respect and simplify complex concepts effectively, without making you feel dumb, indeed making you feel encouraged and/or inspired)
2. despite this aforesaid intense intellectualism, his work manages to have a sensuality to it and often a very auditory pleasure to it also.
* *
Ken Babstock, Bill Kennedy, Don McKay and Darren Wershler-Henry
Ken Babstock was born in Newfoundland and grew up in the Ottawa Valley. His poems won gold with the 1997 National Magazine Awards. He has also won the Milton Acorn People's Poetry Prize and the Atlantic Poetry Prize. He presents his new collection, Airstream Land Yacht.
Bill Kennedy is the Artistic Director of The Scream Literary Festival, a poetry editor for Coach House Books and organizer of the Lexiconjury Reading Series. He presents Apostrophe, a poignant, banal, offensive, and hilarious new work of experimental poetry co-authored with Darren Wershler-Henry.
Don McKay has won the Governor General's Award and has been shortlisted twice for the Griffin Poetry Prize, most recently for Camber: Selected Poems. He reads from Strike/slip, a new collection exploring the fault line between poetry and landscape.
Darren Wershler-Henry teaches Communication Studies at Wilfrid Laurier University and is the author of two books of poetry and The Iron Whim: A Fragmented History of Typewriting. He presents Apostrophe, a poignant, banal, offensive, and hilarious new work of experimental poetry co-authored with Bill Kennedy
***
harbourfront thoughts:
the first day of poetry school i sat down on the steps beside ken, who was nervously smoking. i said "hey teacher. i see i've found the right building. is it okay if i just wait here and follow you into the classroom?"
when i went to hear him read at the iv lounge, i was enjoying ghost world, again. i'd bought it as a gift for kim but was reading it before it went off in the post. i remember not getting much time to read it, because i had beers with his friends karen, kim and the dark haired quirky girl who said i'd look good with a quill pen and almost hired me.
i remember i accidentally said "nice" out in to the pub at the end of poem, just like in school, and he laughed.
***
and, i have always trusted and enjoyed bill kennedy so much too. he is very funny! do they know each other?
the first reading i ever went out to, was when i was first back from arizona. re-braved as happens there, tanned, junkyard bejewled and, sandaled, i went out to the idler pub to hear moe berg read from his story collection.
eventually proprietor dude brought a long haired hooligan to share my table. when i'd agreed he said "this gentleman, he is a very famous poet." and i said "well, what do you think i am?" and bill kennedy laughed, grabbing his chair.
its free? i admit the pages thing sounds more and more intriguing...wrestling? insults?
On Wednesday April 19th, 2006 This Is Not A Reading Series and ECW present: Darren Wershler-Henry & Bill Kennedy, authors of Apostrophe, and Emily Schultz, author of Joyland
http://www.commutiny.net/lexiconjury/
Sunday, March 26, 2006
Tuesday, March 21, 2006
Harbourfront Marketing? & Speechless
I remember specifically when the Delightful Davey C said "that's how you do it." because i had showed up with a random mic-ready list of stuff to say. he also said "I like your voice," (when I was hating it) and "I like the spoken work stuff". I have taken much encouragement from his other comment "you should never aplogize for being you"
If I could find them and if I knew how I would post the audio on the blog.
***
His website says "Join the Woodshed Orchestra cooking live at a show near you.
Or reheat their recordings, which are available from http://daveclark.zunior.com/
Booking and Contact info: Dave Clark(416) 531-4646woodchoppers@sympatico.ca
Q. what IS contact improv (i.e. with dancers Andrea Nannn and Yvonne Ng)
"dance is not enough for me, there's no story."
LESSON #2)
when i had to get back up on the mic fright pony, i showed up for my music lesson with a list of things i felt like saying into a microphone. most of which were harbourfront slogans i found out were even thought up by harbourfront staff (not an agency) and used in the wonderful 30th anniversary campaign. slogans that i phoned michael in marketing that day, from my desk in the bank tower, to get. And then ddc and me made a boomwhacker racket in the back of it, which felt right because i was first exposed to those in the Lakeside Terrace during Milkfest.
***
LESSON #1)
Dave Clark (Rheostatics, Gord Downie) is a drummer, percussionist, vocalist guitarist, bassist, keyboardist, TUBAist, Geminim Award winning composer, bandleader, band manager, music instructor, conductor, audio engineer, producer, graphic artist, poet and mulit-media arts festival director who has participated in music and art internationally for more than 25 years, demonstratrating a high level of inventiveness and tenacity, running his free from improv orchestra the "Woodchoppers Association."
I think he brought his daugher to my papermaking workshop at Hillside. If it was him, he changed his hat. If it was him, thank GOD it took me a while to recognize him. And, thank god for the kind of god who witnessed the Dinner is Ruined band get booed by a nasty Rheo's audience and so joined them on stage. He said it changed his life, I still want to ask him how.
He's the kind Can rock guru who likes to be around when people cut their first records, when they are having the time of their lives making music. Or, becoming a band like Wayne Omaha did at the Gas Station... I would gladly play you the 2 min recording of my very inspirational first music lesson with said Canadian idol. I thought of it as sort of production instruction since we recorded almost every instrument in the room, playing to the tracks of the instruments we'd just previously recorded, you know?
It was fun, though I suffered the mic-fright.
Who knew drumming is so much like driving a tractor?
**
When ddc kicked me out of music school he said I should go to improv school and/or writing school. Or something like that. And I tried to take it as a compliment. And, so, it is because of him that I blew my brains out at the kareoke club in front of Martin Tielli and it is also his fault that I joined a cult called Toastmasters.
And, here's a few mentions in Soulshine reviews:
http://www.soulshine.ca/reviews/liveReview.php?lrid=147
http://www.soulshine.ca/reviews/liveReview.php?lrid=128
If I could find them and if I knew how I would post the audio on the blog.
***
His website says "Join the Woodshed Orchestra cooking live at a show near you.
Or reheat their recordings, which are available from http://daveclark.zunior.com/
Booking and Contact info: Dave Clark(416) 531-4646woodchoppers@sympatico.ca
Q. what IS contact improv (i.e. with dancers Andrea Nannn and Yvonne Ng)
"dance is not enough for me, there's no story."
LESSON #2)
when i had to get back up on the mic fright pony, i showed up for my music lesson with a list of things i felt like saying into a microphone. most of which were harbourfront slogans i found out were even thought up by harbourfront staff (not an agency) and used in the wonderful 30th anniversary campaign. slogans that i phoned michael in marketing that day, from my desk in the bank tower, to get. And then ddc and me made a boomwhacker racket in the back of it, which felt right because i was first exposed to those in the Lakeside Terrace during Milkfest.
***
LESSON #1)
Dave Clark (Rheostatics, Gord Downie) is a drummer, percussionist, vocalist guitarist, bassist, keyboardist, TUBAist, Geminim Award winning composer, bandleader, band manager, music instructor, conductor, audio engineer, producer, graphic artist, poet and mulit-media arts festival director who has participated in music and art internationally for more than 25 years, demonstratrating a high level of inventiveness and tenacity, running his free from improv orchestra the "Woodchoppers Association."
I think he brought his daugher to my papermaking workshop at Hillside. If it was him, he changed his hat. If it was him, thank GOD it took me a while to recognize him. And, thank god for the kind of god who witnessed the Dinner is Ruined band get booed by a nasty Rheo's audience and so joined them on stage. He said it changed his life, I still want to ask him how.
He's the kind Can rock guru who likes to be around when people cut their first records, when they are having the time of their lives making music. Or, becoming a band like Wayne Omaha did at the Gas Station... I would gladly play you the 2 min recording of my very inspirational first music lesson with said Canadian idol. I thought of it as sort of production instruction since we recorded almost every instrument in the room, playing to the tracks of the instruments we'd just previously recorded, you know?
It was fun, though I suffered the mic-fright.
Who knew drumming is so much like driving a tractor?
**
When ddc kicked me out of music school he said I should go to improv school and/or writing school. Or something like that. And I tried to take it as a compliment. And, so, it is because of him that I blew my brains out at the kareoke club in front of Martin Tielli and it is also his fault that I joined a cult called Toastmasters.
And, here's a few mentions in Soulshine reviews:
http://www.soulshine.ca/reviews/liveReview.php?lrid=147
http://www.soulshine.ca/reviews/liveReview.php?lrid=128
Sunday, March 19, 2006
Adventures of a Black Girl In Search of God, HCT
The story of how people who lose their faith, sometimes get it back again is shown in the inspired play Adventures of a Black Girl in Search of God. Rainey, played mesmerizingly by Karen Robinson, was happily married to her preacher husband with a daughter she adored, and a thriving medical practice. When the child dies in her mother’s arms from Meningitis, Rainey’s world loses all meaning. She pops so many pills to dull pain that she's literally torn her stomach apart creating a void and urge for eating dirt and ash. She has abandoned her profession, and concentrates instead on writing a thesis on the Death of God, while her marriage is in tatters and her beloved father is dying of a heart condition. Humour is provided in the antics of her father and friends who set about liberating lawn jockeys, and revealing Ontario black heritage history, while the entire show melds laughter and tears and emotions in flux.
The ancestors are a 15 member ensemble and life blood of the show, filling the stage with amazing vocals, sometimes percussion and all around mesmerizing music as well as constant motion and non stop beauty for the eye, while acting barefoot, as a creek, with their movement. A very confrontational performance style was powerfully shared on stage, by very talented actors, who also participated musically in varying degrees. Jackie Richardson made such a huge difference to the music, and thereby to the entire audience reaction to the play! What a powerful presence. What soulful voice. So dramatic! Charismatic! I think it has taken me such a long time to do a review because for me it was really meaningful show. And I really studied it. And, it moved me. And, I was delighted to get the foh staff invited to the cast party.
***
My parents and sister went to see the play, and had to leave in the middle with a theatre departer's commotion, because my dad couldn't stand the music, and was uncomfortable.
***
There is a very moving scene near the end, when the couple in process of divorce, reunite. I sobbed my head off every time I saw the show, and never later than that scene. I was recovering from my own divorce so the weeping was no doubt therapuetic but anyway, the momma character has a weird thing about the earth at the edge of Negro Creek and sometimes she even eats some of it. In this magical scene, her former lover calls her on it - he has seen her do it, and to communicate that, he does it too. Then they embrace...
A patron, one time after the show, said to me "Imagine! A man who would eat dirt for you." and I understood what she meant. I want that too. I long for a man who would climb a mountain and swim a river to be with me. Meanwhile, I am holding out for a man that I would eat dirt for. Do you know what I mean?
***
The ancestors are a 15 member ensemble and life blood of the show, filling the stage with amazing vocals, sometimes percussion and all around mesmerizing music as well as constant motion and non stop beauty for the eye, while acting barefoot, as a creek, with their movement. A very confrontational performance style was powerfully shared on stage, by very talented actors, who also participated musically in varying degrees. Jackie Richardson made such a huge difference to the music, and thereby to the entire audience reaction to the play! What a powerful presence. What soulful voice. So dramatic! Charismatic! I think it has taken me such a long time to do a review because for me it was really meaningful show. And I really studied it. And, it moved me. And, I was delighted to get the foh staff invited to the cast party.
***
My parents and sister went to see the play, and had to leave in the middle with a theatre departer's commotion, because my dad couldn't stand the music, and was uncomfortable.
***
There is a very moving scene near the end, when the couple in process of divorce, reunite. I sobbed my head off every time I saw the show, and never later than that scene. I was recovering from my own divorce so the weeping was no doubt therapuetic but anyway, the momma character has a weird thing about the earth at the edge of Negro Creek and sometimes she even eats some of it. In this magical scene, her former lover calls her on it - he has seen her do it, and to communicate that, he does it too. Then they embrace...
A patron, one time after the show, said to me "Imagine! A man who would eat dirt for you." and I understood what she meant. I want that too. I long for a man who would climb a mountain and swim a river to be with me. Meanwhile, I am holding out for a man that I would eat dirt for. Do you know what I mean?
***
holy crap, is that bury me blues song ever HOT!
"if you don't call out my name i will not be alright" hot hot hot.
while, as for the feminist/chick factor, i remember a chick voice at hillside getting more laughter "he stole that from me you know." and, nathan lawr's chick laden video with the travelling set proves zunior is a really great place visit too... i watched it about 8 times in a row my first time... you should check it out!
***
The Bills - Music with Bite, Brig
Do You Crave Harmony? 30 years of noted performances
* *
The Music with Bite series is a season of interactive and intimate Sunday afternoon concerts for all ages. Audiences sing, dance, are introduced to traditional instruments or embark on a magical musical journey. ..
Each event was a refreshing experience where children can sit up close to the artist and after the concert enjoy a complimentary milk beverage and cookies, the first year I worked, and all the performances took place in York Quay Centre, and tickets cost $8 or Family 4 pack $25. Concerts were presented by Jeunesses Musicales, a movement which since 1949 has dedicated its work to youth and musical excellence. Its mission is to promote the development of the arts in Canada by bringing fine music to audiences of all ages.
Mar 20, 2005 1pm
I did a great job opening the house and greeting the patrons as they came in, for the Bills - the Bill Hilly Band that I had been looking forward to all season.These customers of course were little kids, and their families, and I asked every single one of them with eye contact and a big smile, if ohmigosh are those your DANCING shoes? or, do you think we'll get to clap today? or, oh, sing ALONG? ??? Eventually, I could hear the band behind the curtain snickering or laughing outright every once in a while, at some kid's wildly enthusiastic response and so I knew that they knew that this venue, was as keen as the visitors for them, and was doing the job up right...
The band of course, lived up to the hype and did their job up right. Goooooooood playing, and fun talk and jokes and well performed songs and inspired audience participation. It began when they walked into the room from behind the curtain and came up on stage through the people, playing their instruments acoustically like a parade... they stopped and used a bald man's head for some percussion along the way, if you can imagine. Ohmigosh, what a goooooooood show!I remember the boy who had the red flashing lights in his shoes, and who came right up to me as I was rescuing a stage crawler for parental return, and starting doing handstands on the dance floor to flash me his dancing shoes. It made us all laugh. And the very same stage crawler then started following me around until I gave up and just spent the rest of my shift on the dancefloor.
Except for when I bullied the Bidini babies. But that's another story...
* *
What a fantastic opportunity to sample music of diverse styles and influence in a friendly accessible format. All of the artist selected to perform at these concerts brought an element of interactivity, education and entertainment to their programmes.
Did you pull up a cushion or a seat, and join in this year's fun???
* *
The Music with Bite series is a season of interactive and intimate Sunday afternoon concerts for all ages. Audiences sing, dance, are introduced to traditional instruments or embark on a magical musical journey. ..
Each event was a refreshing experience where children can sit up close to the artist and after the concert enjoy a complimentary milk beverage and cookies, the first year I worked, and all the performances took place in York Quay Centre, and tickets cost $8 or Family 4 pack $25. Concerts were presented by Jeunesses Musicales, a movement which since 1949 has dedicated its work to youth and musical excellence. Its mission is to promote the development of the arts in Canada by bringing fine music to audiences of all ages.
Mar 20, 2005 1pm
I did a great job opening the house and greeting the patrons as they came in, for the Bills - the Bill Hilly Band that I had been looking forward to all season.These customers of course were little kids, and their families, and I asked every single one of them with eye contact and a big smile, if ohmigosh are those your DANCING shoes? or, do you think we'll get to clap today? or, oh, sing ALONG? ??? Eventually, I could hear the band behind the curtain snickering or laughing outright every once in a while, at some kid's wildly enthusiastic response and so I knew that they knew that this venue, was as keen as the visitors for them, and was doing the job up right...
The band of course, lived up to the hype and did their job up right. Goooooooood playing, and fun talk and jokes and well performed songs and inspired audience participation. It began when they walked into the room from behind the curtain and came up on stage through the people, playing their instruments acoustically like a parade... they stopped and used a bald man's head for some percussion along the way, if you can imagine. Ohmigosh, what a goooooooood show!I remember the boy who had the red flashing lights in his shoes, and who came right up to me as I was rescuing a stage crawler for parental return, and starting doing handstands on the dance floor to flash me his dancing shoes. It made us all laugh. And the very same stage crawler then started following me around until I gave up and just spent the rest of my shift on the dancefloor.
Except for when I bullied the Bidini babies. But that's another story...
* *
What a fantastic opportunity to sample music of diverse styles and influence in a friendly accessible format. All of the artist selected to perform at these concerts brought an element of interactivity, education and entertainment to their programmes.
Did you pull up a cushion or a seat, and join in this year's fun???
Sunday, March 12, 2006
Bob Snider, CIBC Stage
What’s wrong with Toronto? I saw Bob Snider for free with only about 50 other people. At best, two thirds of the venue I stumbled across for the first time in my life this weekend was left empty, even with sunshine and a nice breeze making near perfect weather conditions.
I noticed Bob Snider checking out the CIBC stage and the audience the day before, when Po’ Girl played. It must have been worth the trip because his show was much stronger than theirs – especially his clear vocals and entertaining (if self deprecating) way with the audience between the songs. No awkward pauses. No technical difficulty. It seems like he enjoys performing, and that makes it fun to hang around while he performs. I hadn’t previously realized that he played a nylon string guitar, and was about to consider him an uncool guitar guy, when he played his protest song DOG. Proving himself inarguably cool - profound and hilarious, with this big hit with a most receptive audience; followed by my personal favourite – the song about how to build a fence. What a guy! He has such great material. He said if the folk community were to lose track of him, he would really fall off the radar, so let’s make a point to keep him in sight, in sound, in mind.
* *
i actually have a jones for a nylon string lately. good for quiet soft morning songs.
I noticed Bob Snider checking out the CIBC stage and the audience the day before, when Po’ Girl played. It must have been worth the trip because his show was much stronger than theirs – especially his clear vocals and entertaining (if self deprecating) way with the audience between the songs. No awkward pauses. No technical difficulty. It seems like he enjoys performing, and that makes it fun to hang around while he performs. I hadn’t previously realized that he played a nylon string guitar, and was about to consider him an uncool guitar guy, when he played his protest song DOG. Proving himself inarguably cool - profound and hilarious, with this big hit with a most receptive audience; followed by my personal favourite – the song about how to build a fence. What a guy! He has such great material. He said if the folk community were to lose track of him, he would really fall off the radar, so let’s make a point to keep him in sight, in sound, in mind.
* *
i actually have a jones for a nylon string lately. good for quiet soft morning songs.
T.O. Twang, CIBC Stage
The festival at Harbourfront Aug 12-14, hailed as the city’s first and only alt-country festival was called 'T.O. Twang'. But don't be fooled! My favourite acts weren't from our fair city at all, and they weren't as country as you might presume either.
The events were mostly hosted by singer/songwriter Carolyn Mark, friend to many of her fellow festival performers. Including Luther Wright, who appeared Saturday afternoon with almost all new Wrongs, and who I think has a new girl to go with all the new songs. I don’t envy her the one about living out of a van with no money for gas. My favourite song of the set was the romantic cover (of Chris Brown/Kate Fenner's road song) about "I'll drive while you sleep."
This writer in particular would like to thank Luke Doucet for an epiphany inducing set with the introduction of the song about his brother "only by the grace of god will I see you again." The songsmith shared with the crowd that his relation in Winnipeg is a part time prep chef and a part time crack dealer, depending on what point in the viscous circle you find yourself finding him. "If a songwriter can't make use of material like that, then who can?" Why is heartbreak or disaster often so beautiful? Speaking of beauty, he shared the stage with base playing Colleen Hodgson and a glockenspiel angel I sense is his new love interest. I admired his sense of rhythm, harmony, melody and complementary chords that make a sweet yet and rocking guitar sound. Doucet is widely known for playing guitar in Sarah McLachlan's touring band, and as the frontman of the critically acclaimed Vancouver psychedelic-rock trio Veal, which has independently released three albums in Canada. Born in Halifax, Doucet grew up in Winnipeg, and contends, "I'm not getting any younger. I want to make music that ages gracefully. Look at Neil Young and Blue Rodeo. The door doesn't shut at 40. I think making music that ages gracefully is inclusive to roots music."
Also from Winnipeg is Nathan, a band nominated for a 2005 JUNO award for Roots and Traditional album of the Year. Appearing on the CIBC stage with their kooky and often dark lyrics, drums, bass, electric and acoustic guitars, a banjo, an accordion, their humour and sound exploded during the live show. I like the song about being a freak. And I like that I spotted their friend Michael Johnston in the crowd with a festival worthy cap! But, my absolute favourite was the instrument Shelly joked was made in the basement out of kraft slices: a theremin, an instrument unique in that it is played without being touched. Two antennas protrude - one controlling pitch, and the other controlling volume. As a hand approaches the vertical antenna, the pitch gets higher. Approaching the horizontal antenna makes the volume softer. So go ahead, try and tell me this is a small town straightforward country band. Michael Wrycraft summed it up best when he said "if David Lynch had directed O Brother Where Art Thou, Nathan's music would be the soundtrack."
The events were mostly hosted by singer/songwriter Carolyn Mark, friend to many of her fellow festival performers. Including Luther Wright, who appeared Saturday afternoon with almost all new Wrongs, and who I think has a new girl to go with all the new songs. I don’t envy her the one about living out of a van with no money for gas. My favourite song of the set was the romantic cover (of Chris Brown/Kate Fenner's road song) about "I'll drive while you sleep."
This writer in particular would like to thank Luke Doucet for an epiphany inducing set with the introduction of the song about his brother "only by the grace of god will I see you again." The songsmith shared with the crowd that his relation in Winnipeg is a part time prep chef and a part time crack dealer, depending on what point in the viscous circle you find yourself finding him. "If a songwriter can't make use of material like that, then who can?" Why is heartbreak or disaster often so beautiful? Speaking of beauty, he shared the stage with base playing Colleen Hodgson and a glockenspiel angel I sense is his new love interest. I admired his sense of rhythm, harmony, melody and complementary chords that make a sweet yet and rocking guitar sound. Doucet is widely known for playing guitar in Sarah McLachlan's touring band, and as the frontman of the critically acclaimed Vancouver psychedelic-rock trio Veal, which has independently released three albums in Canada. Born in Halifax, Doucet grew up in Winnipeg, and contends, "I'm not getting any younger. I want to make music that ages gracefully. Look at Neil Young and Blue Rodeo. The door doesn't shut at 40. I think making music that ages gracefully is inclusive to roots music."
Also from Winnipeg is Nathan, a band nominated for a 2005 JUNO award for Roots and Traditional album of the Year. Appearing on the CIBC stage with their kooky and often dark lyrics, drums, bass, electric and acoustic guitars, a banjo, an accordion, their humour and sound exploded during the live show. I like the song about being a freak. And I like that I spotted their friend Michael Johnston in the crowd with a festival worthy cap! But, my absolute favourite was the instrument Shelly joked was made in the basement out of kraft slices: a theremin, an instrument unique in that it is played without being touched. Two antennas protrude - one controlling pitch, and the other controlling volume. As a hand approaches the vertical antenna, the pitch gets higher. Approaching the horizontal antenna makes the volume softer. So go ahead, try and tell me this is a small town straightforward country band. Michael Wrycraft summed it up best when he said "if David Lynch had directed O Brother Where Art Thou, Nathan's music would be the soundtrack."
Barbara Gowdy/Steven Heighton, Brig
After hearing Barbara Gowdy on the CBC, how could I resist heading down to Harbourfront for the Celebrating Barbara Gowdy event that took place last week, March 8, 2006.
Who knew she grew up a lyricist??? I love hearing her talk about everything, she's so interesting! I like the sound of her voice, and she is one of Canada's most innovative, respected and best-loved authors.
International Readings at Harbourfront Centre and Descant celebrate Barbara Gowdy's work with the launch of Entering the Other: The World of Barbara Gowdy (Descant 132). Gowdy's fans will be treated to a special preview of her upcoming novel. Paying tribute to Barbara Gowdy will be Catherine Graham, Steven Heighton, Marni Jackson, Karen Mulhallen, Mary Newberry, T.F. Rigelhof and Shyam Selvadurai.
*
When I went to hear her read last time, I went to Indigo. And the boys from Book TV thought I was hosting, when indeed it was Mr. Daniel Richler himself (did I have cool pants on or WHAT), and I was just writer girl audience member... Although I noticed he had not done his homework and she was annoyed with him (you could tell they are friends).
I asked her "WHY, why on earth are you a writer? Why do you it?"
And she gave us a really eloquent answer about falling into it and being unable to do anything else. She said "I never went every where furtively writing everything in my notebook" gesturing back at me, and I really felt like I was sitting at the table and we were chatting. And it was a really great discussion and I still wish someday to watch book tv because I think HE rocks and I think the idea rocks.
*
I've also seen Steven Heighton at Harbourfront before:
I like a guy whose musical tastes put Edith Pilaf in bed with John Prine, and then go on to range from Roy Orbison to Brian Ferry. A punk poet turned U of T professor who makes a musical trivia game and reads it as a poem/pop quiz as part of the Harbourfront Reading Series. This is what Governor General's Award-finalist Steven Heighton did recently appearing at the Harbourfront Centre, with Michael Holmes, Sue Goyette and August Kleinzhaler. His signature blend of emotional fierceness and linguistic beauty were well showcased in excerpts from The Address Book, a poetry collection of well crafted love letters, and lyrical moments of loss and complaint, which often use music, and always intelligence as the best guards against grief.
He is the author of seven books, including essay collections, the bestselling novel, The Shadow Boxer; and poetry. Kudos to Anansi for supporting Heighton’s artistic (if not commercial) development and progression. It’s too bad the art opening in the York Quay Centre (the building surrounding the Brigantine Room) wasn’t until the following day and that for his reading, the new exhibits and installations were all under construction, because the usually worth the trek venue as gallery did not do justice to his elegiac, tender, and angrily heart-felt poems of total conviction.
Brigantine Room, York Quay Centre, $8, Wed. Apr 28/
http://loguelikevogue.blogspot.com/2006/03/cbc-radio-one-991.html
Who knew she grew up a lyricist??? I love hearing her talk about everything, she's so interesting! I like the sound of her voice, and she is one of Canada's most innovative, respected and best-loved authors.
International Readings at Harbourfront Centre and Descant celebrate Barbara Gowdy's work with the launch of Entering the Other: The World of Barbara Gowdy (Descant 132). Gowdy's fans will be treated to a special preview of her upcoming novel. Paying tribute to Barbara Gowdy will be Catherine Graham, Steven Heighton, Marni Jackson, Karen Mulhallen, Mary Newberry, T.F. Rigelhof and Shyam Selvadurai.
*
When I went to hear her read last time, I went to Indigo. And the boys from Book TV thought I was hosting, when indeed it was Mr. Daniel Richler himself (did I have cool pants on or WHAT), and I was just writer girl audience member... Although I noticed he had not done his homework and she was annoyed with him (you could tell they are friends).
I asked her "WHY, why on earth are you a writer? Why do you it?"
And she gave us a really eloquent answer about falling into it and being unable to do anything else. She said "I never went every where furtively writing everything in my notebook" gesturing back at me, and I really felt like I was sitting at the table and we were chatting. And it was a really great discussion and I still wish someday to watch book tv because I think HE rocks and I think the idea rocks.
*
I've also seen Steven Heighton at Harbourfront before:
I like a guy whose musical tastes put Edith Pilaf in bed with John Prine, and then go on to range from Roy Orbison to Brian Ferry. A punk poet turned U of T professor who makes a musical trivia game and reads it as a poem/pop quiz as part of the Harbourfront Reading Series. This is what Governor General's Award-finalist Steven Heighton did recently appearing at the Harbourfront Centre, with Michael Holmes, Sue Goyette and August Kleinzhaler. His signature blend of emotional fierceness and linguistic beauty were well showcased in excerpts from The Address Book, a poetry collection of well crafted love letters, and lyrical moments of loss and complaint, which often use music, and always intelligence as the best guards against grief.
He is the author of seven books, including essay collections, the bestselling novel, The Shadow Boxer; and poetry. Kudos to Anansi for supporting Heighton’s artistic (if not commercial) development and progression. It’s too bad the art opening in the York Quay Centre (the building surrounding the Brigantine Room) wasn’t until the following day and that for his reading, the new exhibits and installations were all under construction, because the usually worth the trek venue as gallery did not do justice to his elegiac, tender, and angrily heart-felt poems of total conviction.
Brigantine Room, York Quay Centre, $8, Wed. Apr 28/
http://loguelikevogue.blogspot.com/2006/03/cbc-radio-one-991.html
The Whole Shebang, PDT
The Whole Shebang was an Asian Heritage Month Event at Harbourfront Centre. Within the luxurious Premiere Dance Theatre it was a live performance of passion, by choreographer and dancer Andrea Nann, that also featured Michael Oondatje. The opening and closing segments, combinations of her interpretive dance based on his words (from both In The Skin of a Lion and Anil’s Ghost), and his voice over, was very powerful and dramatic. And, as beautiful as she is, and as his work is.
In between those pieces, there was a Writer’s Circle with readings by Oondatje, Dionne Brand, and Souvankham Thammavongsa, who recently published a full length collection with Pedlar Press and who not too long ago was publishing chapbooks bound with craft glue.
This was followed by an acoustic songwriter’s circle, that showcased Josh Finlayson as a fabulous guitar player. Gord Downie was the real crowd pleaser, and honoured the tradition of sharing (in the circle) each song’s inspiration. Andrew Cash has honours for the clearest song snippet I remember, from a new song about a new hand of cards to play, followed closely as a highlight by Kathleen Edwards hockey song. Andy Maize (Andrea’s lucky husband) sounded great and is also to be commended for recognizing the Harbourfront staff and crew, not only requesting applause from the audience for their effort, but also sticking around backstage until all the work was done. While pre-show Andrea had dazzled with an unprecedented expression of sincere appreciation to the front of house staff. What a wonderful evening. Here is another round of applause for a great show.
*
Premiere Dance Theatre, 207 Queen’s Quay W, 3rd fl, May 20/04
*
I am pretty sure I got to go in for the show that night because I knew who Kathleen Edwards was/had heard of her at least, when she was the replacement for Margo of the Cowboy Junkies (originally listed on the programs for the evening), and no one else on shift could tell the House Manager anything about her. Also, of course, I was the only keener who had arrived there a tad early and saved the day by accepting pre-shift tasks while chatting to the manager about my eagerness to see the show… but everyone wanted to go in that night, and I am lucky it was Ted on House Manager duty because he picked me as Balcony Usher, as a reward for said early bird pre show work, despite all other requests. And I was really impressed with Kathleen Edwards that night. And, I remember when I finally picked up her first cd after that, used at sonic boom (it still has the 9.95 sticker on it) because I was flabbergasted to see that my favourite song on it had been done at my friend Jimmy’s.
In between those pieces, there was a Writer’s Circle with readings by Oondatje, Dionne Brand, and Souvankham Thammavongsa, who recently published a full length collection with Pedlar Press and who not too long ago was publishing chapbooks bound with craft glue.
This was followed by an acoustic songwriter’s circle, that showcased Josh Finlayson as a fabulous guitar player. Gord Downie was the real crowd pleaser, and honoured the tradition of sharing (in the circle) each song’s inspiration. Andrew Cash has honours for the clearest song snippet I remember, from a new song about a new hand of cards to play, followed closely as a highlight by Kathleen Edwards hockey song. Andy Maize (Andrea’s lucky husband) sounded great and is also to be commended for recognizing the Harbourfront staff and crew, not only requesting applause from the audience for their effort, but also sticking around backstage until all the work was done. While pre-show Andrea had dazzled with an unprecedented expression of sincere appreciation to the front of house staff. What a wonderful evening. Here is another round of applause for a great show.
*
Premiere Dance Theatre, 207 Queen’s Quay W, 3rd fl, May 20/04
*
I am pretty sure I got to go in for the show that night because I knew who Kathleen Edwards was/had heard of her at least, when she was the replacement for Margo of the Cowboy Junkies (originally listed on the programs for the evening), and no one else on shift could tell the House Manager anything about her. Also, of course, I was the only keener who had arrived there a tad early and saved the day by accepting pre-shift tasks while chatting to the manager about my eagerness to see the show… but everyone wanted to go in that night, and I am lucky it was Ted on House Manager duty because he picked me as Balcony Usher, as a reward for said early bird pre show work, despite all other requests. And I was really impressed with Kathleen Edwards that night. And, I remember when I finally picked up her first cd after that, used at sonic boom (it still has the 9.95 sticker on it) because I was flabbergasted to see that my favourite song on it had been done at my friend Jimmy’s.
Joel Plaskett, CIBC Stage
Joel Plaskett IS all that and a bag of chips! How did I take so long to realize I WILL love this guy? I've just seen him live. He's fantastic. Kudos to Harbourfront, for yet more terrific programming, especially at the CIBC stage Aug 20, 9:30 pm.
Plaskett was one stop on "a trip through Atlantic provinces to feel the famous hospitality that comes with a coastal mentality!” JP was true to the advertised talent born and bred for pure enjoyment from Canada’s ocean playground. Gordie Sampson "Cape Breton native with hook-laden songs" was the opener in support of a great evening of heartfelt, intelligent, original music with a demonstrated take-no-prisoners approach, that wrestled our city to the ground; and yet which included an acoustic song never before played for audience, as well as respectful acknowledgement of a request from an audience member.
Did he say Halifax is a town where one tends to carry grudges around in your wallet? Wherever we were, the Emergency Band took us there! Plaskett joked that they're lucky they took the Collector’s on the DVP because the Express lanes flooded. And it was a torrential weekend. I wasn’t the only one glad the event wasn’t rained out, the metal bleacher seats were packed. I love the way he uses his voice and I like his song dynamics and I like his laugh and the lyrics and the guitar and everything else going on. Seriously. In off the cuff, loose, tossed off manners. I admit I was too busy dancing during the "barnyard percussion shakedown" to figure out who was who, but he is clearly gifted! Who WAS that tambourine man?
I will definitely now track down Thrush Hermit and all his prior work, since he reminded me of a Canadian Billy Bragg. He asked us if Ontario experiences flying ant day, though we don’t, flying was a theme in many songs we heard that night. And, when he sang the one about the light of the moon, I saw a most perfect huge orb moon illuminated just off to the right of the stage, out over water. What magical evening!
* *
Melanie Fernandez, director of community and educational programs says Harbourfront mounts 10 large-scale weekend festivals each summer. Each one attracts 40,000-70,000 people a day...
a tympani might be one of the sounds i don't recognize.
i liked it right away of course, but by the second listen i LOVE it.
a million dollars
nowhere with you
make a little noise
i think i heard all 3 that harbourfront show.
Plaskett was one stop on "a trip through Atlantic provinces to feel the famous hospitality that comes with a coastal mentality!” JP was true to the advertised talent born and bred for pure enjoyment from Canada’s ocean playground. Gordie Sampson "Cape Breton native with hook-laden songs" was the opener in support of a great evening of heartfelt, intelligent, original music with a demonstrated take-no-prisoners approach, that wrestled our city to the ground; and yet which included an acoustic song never before played for audience, as well as respectful acknowledgement of a request from an audience member.
Did he say Halifax is a town where one tends to carry grudges around in your wallet? Wherever we were, the Emergency Band took us there! Plaskett joked that they're lucky they took the Collector’s on the DVP because the Express lanes flooded. And it was a torrential weekend. I wasn’t the only one glad the event wasn’t rained out, the metal bleacher seats were packed. I love the way he uses his voice and I like his song dynamics and I like his laugh and the lyrics and the guitar and everything else going on. Seriously. In off the cuff, loose, tossed off manners. I admit I was too busy dancing during the "barnyard percussion shakedown" to figure out who was who, but he is clearly gifted! Who WAS that tambourine man?
I will definitely now track down Thrush Hermit and all his prior work, since he reminded me of a Canadian Billy Bragg. He asked us if Ontario experiences flying ant day, though we don’t, flying was a theme in many songs we heard that night. And, when he sang the one about the light of the moon, I saw a most perfect huge orb moon illuminated just off to the right of the stage, out over water. What magical evening!
* *
Melanie Fernandez, director of community and educational programs says Harbourfront mounts 10 large-scale weekend festivals each summer. Each one attracts 40,000-70,000 people a day...
a tympani might be one of the sounds i don't recognize.
i liked it right away of course, but by the second listen i LOVE it.
a million dollars
nowhere with you
make a little noise
i think i heard all 3 that harbourfront show.
Ken Whiteley, Terrace
Another of my all time favourite Harbourfront Shows took place in the Lakeshore Terrace during Milkfest. Local musician Ken Whiteley is to history class, what the Blues is to music and what Santa is to Christmas. The white bearded, twinkling eyed man of 1,000 songs (300 or so written himself), started with a joyous tune introducing himself by name, date and venue and then by asking the duely enamoured audience (aged 8-64), to imagine the time of the Negro slave. To imagine being robbed of your own language, forced to come here against your will, denied your customs and your religion and made to do such brutally hard work. “Now imagine the salvation found in music. The joy of expression in each human voice. C’mon with me,” he said “we’re gonna chop this tree down.” Then he said “chop” with a clap and the audience chopped/clapped in response. He called a line and we sang it back to him, all of us.
So began each in a terrific series of shows. Surrounded with windowed waterfront views, the audience was focused on one man on stage, with so many instruments. Whiteley would give a historical context and then a musical example of what was going on at the time. Using a four string banjo, a well worn national steel guitar, an impeccable acoustic guitar with elaborate mother of pearl inlay, an electric piano and his amazing voice. What a master! With a bag of tricks including jugs, wash boards, spoons and various percussion enabling many, many kids to join him on stage for the song about how to build a wash tub bass, and the show’s grand finale. Including samplings of jazz and good ole crowd pleasin’ rock ‘n roll, Whiteley mapped a lesson in history that demonstrated his musical prowess, and multi-faceted talents in passing. Whiteley was mesmerizing in story and song, embracing a good dose of hilarity and expressing a sincere interest in engaging young minds in his workshop, Bluesberry Jam.
BLUESBERRY JAM Lakeside Terrace, York Quay Centre, during Milk International Children’s Festival of the Arts, $5-12.25 plus wristband, Grades 4 and up, May 23-30/04
"Attention All Radio Holders. The show in the Terrace is UP."
It was great to be on the team with Amanda, because she always twisted my arm behind my back making me talk on the walkie talkies, just because she was the boss of me and noticed I avoided it. What a pal. She also left artist relations to me, even though I was the (measley) House Manager and she was Assistant Production Coordinator. And then, I could tell she was a tiny bit mad when the performer thanked ME specifically, everyday and gave her a different name every time he actually did include her in some sporadic comment of gratitude.
I learned a lot that week with her and Duncan. We had a good time together. I remember running into her at Clinton's (where she was working with James Paul for crying out loud), and I climbed right up on stage to give her a hug, like that was a perfectly normal thing to do. Harbourfront has some awesome staff.
So began each in a terrific series of shows. Surrounded with windowed waterfront views, the audience was focused on one man on stage, with so many instruments. Whiteley would give a historical context and then a musical example of what was going on at the time. Using a four string banjo, a well worn national steel guitar, an impeccable acoustic guitar with elaborate mother of pearl inlay, an electric piano and his amazing voice. What a master! With a bag of tricks including jugs, wash boards, spoons and various percussion enabling many, many kids to join him on stage for the song about how to build a wash tub bass, and the show’s grand finale. Including samplings of jazz and good ole crowd pleasin’ rock ‘n roll, Whiteley mapped a lesson in history that demonstrated his musical prowess, and multi-faceted talents in passing. Whiteley was mesmerizing in story and song, embracing a good dose of hilarity and expressing a sincere interest in engaging young minds in his workshop, Bluesberry Jam.
BLUESBERRY JAM Lakeside Terrace, York Quay Centre, during Milk International Children’s Festival of the Arts, $5-12.25 plus wristband, Grades 4 and up, May 23-30/04
"Attention All Radio Holders. The show in the Terrace is UP."
It was great to be on the team with Amanda, because she always twisted my arm behind my back making me talk on the walkie talkies, just because she was the boss of me and noticed I avoided it. What a pal. She also left artist relations to me, even though I was the (measley) House Manager and she was Assistant Production Coordinator. And then, I could tell she was a tiny bit mad when the performer thanked ME specifically, everyday and gave her a different name every time he actually did include her in some sporadic comment of gratitude.
I learned a lot that week with her and Duncan. We had a good time together. I remember running into her at Clinton's (where she was working with James Paul for crying out loud), and I climbed right up on stage to give her a hug, like that was a perfectly normal thing to do. Harbourfront has some awesome staff.
Saturday, March 11, 2006
a harbourfront cultural program:
the changing nature of the male identity
and shifting notions of roles in men's society
WHO IS HE?
and shifting notions of roles in men's society
WHO IS HE?
Wednesday, March 08, 2006
Dan Zanes, Brig
"I think music can really bring people together in a way that few other pursuits can. It's so easy and it's so fundamental to our culture." Dan Zanes says, and he certainly inspires audience participation. I know, I've sung at the top of my lungs to a song I had never heard before.
The Brigantine Room in York Quay has windows which lit up the cookies and milk table, behind grey plastic chairs set up in tidy but flexible rows (to stroller parking that looked liked bumper cars, along the far wall). Kids knew instantly where they wanted to be, rushing right in front of the stage to about 75 bright red square cushions! Families gathered and settled in, chatting about the impending music they all seemed to know and love.
A founding member of the brother band rock act the Del Fuegos, Zanes has turned his energies to making music that appeals to children and parents alike. The spring 2005 show was not announced with much notice, but it sold out. The entire crowd was clearly sold on his music. I followed the leader in his kooky suit thru the venue in a musical march and I danced and smiled and clapped and sang out loud and all!!! Everybody was into it. It was crazy! What a zany family dance party. I even had to jump behind the cd table and make the first sale, but nothing that afternoon felt like work. It felt like a team effort fun day, an all ages party where the whole entire crowd came together voluntarily, like a huge happy dancing family.
The Dan Zanes & Friends albums released -- available through a variety of retailers and web site DanZanes.com -- have employed the likes of Aimee Mann, Suzanne Vega, John Doe, Lou Reed, Sheryl Crow and other guests to help him flesh out entertaining sing-along songs. What a stellar line up of recordings I have to look forward to! Despite having new children's book and DVD projects in stores, Zanes has no plans of slowing down, so I suggest you do your best to catch up with him.
When we looked up at the stage and saw the band throwing themselves into the tunes, we could picture our selves making music more too. On the front steps stamping feet and clapping hands to Miss Mary Mack? A mother teaching a daughter chords on the banjo? (Or, maybe the kid is doing the teaching?) Or, holding hands and dancing in a circle while a neighbour tries to make it through a John Prine song on guitar? Smiley Dan Zanes got us there. And it was awesome!
I still sing the praises of Harbourfront Family programming!
The Brigantine Room in York Quay has windows which lit up the cookies and milk table, behind grey plastic chairs set up in tidy but flexible rows (to stroller parking that looked liked bumper cars, along the far wall). Kids knew instantly where they wanted to be, rushing right in front of the stage to about 75 bright red square cushions! Families gathered and settled in, chatting about the impending music they all seemed to know and love.
A founding member of the brother band rock act the Del Fuegos, Zanes has turned his energies to making music that appeals to children and parents alike. The spring 2005 show was not announced with much notice, but it sold out. The entire crowd was clearly sold on his music. I followed the leader in his kooky suit thru the venue in a musical march and I danced and smiled and clapped and sang out loud and all!!! Everybody was into it. It was crazy! What a zany family dance party. I even had to jump behind the cd table and make the first sale, but nothing that afternoon felt like work. It felt like a team effort fun day, an all ages party where the whole entire crowd came together voluntarily, like a huge happy dancing family.
The Dan Zanes & Friends albums released -- available through a variety of retailers and web site DanZanes.com -- have employed the likes of Aimee Mann, Suzanne Vega, John Doe, Lou Reed, Sheryl Crow and other guests to help him flesh out entertaining sing-along songs. What a stellar line up of recordings I have to look forward to! Despite having new children's book and DVD projects in stores, Zanes has no plans of slowing down, so I suggest you do your best to catch up with him.
When we looked up at the stage and saw the band throwing themselves into the tunes, we could picture our selves making music more too. On the front steps stamping feet and clapping hands to Miss Mary Mack? A mother teaching a daughter chords on the banjo? (Or, maybe the kid is doing the teaching?) Or, holding hands and dancing in a circle while a neighbour tries to make it through a John Prine song on guitar? Smiley Dan Zanes got us there. And it was awesome!
I still sing the praises of Harbourfront Family programming!
Tuesday, March 07, 2006
Laurie Anderson, PDT
An upbeat, engaging and unique personality autographed my copy of the Big Science cd long before I ever listened to it. Even tho I had it up on the window ledge at home in LP format (having carried it away from a neighbour's cast off pile on a trash day), and considered her a role model somehow, I'd never properly heard her work at all. Odd, but true.
At one point, I had the chance to watch the Home of the Brave Performance on video, the influence of an esteemed friend who gave it to me, pointedly suggesting I watch a few times, before the video cassette itself died.
And then, I was blown away by her far too brief contribution to a benefit show at Carnegie Hall, an event I took in with a friend who had bought my ticket for me saying "seeing Laurie Anderson would be a good influence on you."
I had also enjoyed reading a glossy picture book with texts of one of her other performances, full of feminist facts I hadn't known and I was enthralled with her ability to make light of the very heavy, and teach societal lessons through her performance and recordings (captured in books). She makes the learning managable and musical and still leaves it interestingly elusive, don't you think?
At the Premier Dance Theatre in the Queen's Quay Building in Toronto, I got to be her cd seller girl, while also doing coat/hat check as a Harbourfront Centre employee. And, I also SAW the Harbourfront show a couple times, and I went to her lecture...
So, you can see, I'd adored her! And then, I finally loaded that cd into my ipod to hear her music. And, I just have to tell you that randomly appearing tracks from her recording, in your ipod ear buds on shuffle is the greatest way to become a fan. Or, better cement your fan-ness? Ipodness might be the perfect way to experience experience her material.
So there. I wonder if SHE knows that.
*
April 21, 2005 Harbourfront Centre, York Quay Centre
Despite the fact that several rows of red velvet seats were left empty at the back of the Studio Theatre, I was unable to sneak in as either a Harbourfront staffer or writer for Soulshine Magazine. And I paid cold hard cash for a ticket to the first in the Power Plant Gallery’s 2005/2006 international artist lecture series at Harbourfront, and I can recommend you do the same at the next opportunity!
A slide show presentation of her recent commissions and proposals supported her talk about her relationship with contemporary art, her early performance work and recent gallery work, and was peppered with amusing personal stories about friends like Andy Kauffman and Brian Eno. Who else could tell of being stoned by monkeys with oranges? And then suggest it is great to stay in places that you can’t book on the net. She also ‘gave away’ a bunch of rejected ideas, and explained to the audience how she is not nationalistic in her images of Martian mud. What an artist. What a woman.
She seems sincerely interested in people, and allowed most of her presentation to be conducted in a Question & Answer format.
I’ve boiled her answers and teachings into these top five:
1. Make it up
2. Send it out (Don’t worry if 3/500 proposals you send out get accepted, keep sending)
3. Start experimenting
4. Put yourself in uncomfortable situations
5. The Greatest Frontier is to figure out what you are
And, as inspirational as she is, I suggest we leave figuring out Laurie Anderson, to Laurie Anderson. And I say, to each his own interpretation of her powerful art lessons and example.
Have you heard who is part of the Power Plant’s next lecture series?
* *
here's the soulshine review
http://www.soulshine.ca/reviews/liveReview.php?lrid=135
At one point, I had the chance to watch the Home of the Brave Performance on video, the influence of an esteemed friend who gave it to me, pointedly suggesting I watch a few times, before the video cassette itself died.
And then, I was blown away by her far too brief contribution to a benefit show at Carnegie Hall, an event I took in with a friend who had bought my ticket for me saying "seeing Laurie Anderson would be a good influence on you."
I had also enjoyed reading a glossy picture book with texts of one of her other performances, full of feminist facts I hadn't known and I was enthralled with her ability to make light of the very heavy, and teach societal lessons through her performance and recordings (captured in books). She makes the learning managable and musical and still leaves it interestingly elusive, don't you think?
At the Premier Dance Theatre in the Queen's Quay Building in Toronto, I got to be her cd seller girl, while also doing coat/hat check as a Harbourfront Centre employee. And, I also SAW the Harbourfront show a couple times, and I went to her lecture...
So, you can see, I'd adored her! And then, I finally loaded that cd into my ipod to hear her music. And, I just have to tell you that randomly appearing tracks from her recording, in your ipod ear buds on shuffle is the greatest way to become a fan. Or, better cement your fan-ness? Ipodness might be the perfect way to experience experience her material.
So there. I wonder if SHE knows that.
*
April 21, 2005 Harbourfront Centre, York Quay Centre
Despite the fact that several rows of red velvet seats were left empty at the back of the Studio Theatre, I was unable to sneak in as either a Harbourfront staffer or writer for Soulshine Magazine. And I paid cold hard cash for a ticket to the first in the Power Plant Gallery’s 2005/2006 international artist lecture series at Harbourfront, and I can recommend you do the same at the next opportunity!
A slide show presentation of her recent commissions and proposals supported her talk about her relationship with contemporary art, her early performance work and recent gallery work, and was peppered with amusing personal stories about friends like Andy Kauffman and Brian Eno. Who else could tell of being stoned by monkeys with oranges? And then suggest it is great to stay in places that you can’t book on the net. She also ‘gave away’ a bunch of rejected ideas, and explained to the audience how she is not nationalistic in her images of Martian mud. What an artist. What a woman.
She seems sincerely interested in people, and allowed most of her presentation to be conducted in a Question & Answer format.
I’ve boiled her answers and teachings into these top five:
1. Make it up
2. Send it out (Don’t worry if 3/500 proposals you send out get accepted, keep sending)
3. Start experimenting
4. Put yourself in uncomfortable situations
5. The Greatest Frontier is to figure out what you are
And, as inspirational as she is, I suggest we leave figuring out Laurie Anderson, to Laurie Anderson. And I say, to each his own interpretation of her powerful art lessons and example.
Have you heard who is part of the Power Plant’s next lecture series?
* *
here's the soulshine review
http://www.soulshine.ca/reviews/liveReview.php?lrid=135
Sunday, March 05, 2006
Should I Be Sook Yin Lee?
Concept: Produce a 5 minute broadcast segment, to include a “Hometown” playlist, appropriate for the CBC Radio One program, DNTO. Submitted March 15, 2004
Additional Project Scope: Maggie Turns Three*, Logue’s unadulterated live song performances were a one take, first timer effort to include 3 original lyrics (known as Why Jerome, counterpoint, and Riley’s Art), with sparse acoustic self-accompaniment.
The Interviews:
Who are you? How well do you know the CBC? How well do you know the music industry? How well do you know me? What should I be concentrating on career-wise right now (progressing as a rock star, or seeking a day job like being the host of DNTO?)
The Interviewees:
Teri Hart, On-Air Host The Movie News; Pedro Mendes, CBC, GrooveShinny/Chase/GO; Ian Cauthery, CBC, Arts Canada; Michael Williams, Making Faces; Gordon Shawcross, Acoustic Traditions; Phone interviews recorded with Blair Langley at Dunn Studios.
Post Project Rants from The Interviewer:
“I was proud of the project actually, but I broke up with my room mate over it. We fought over computer time because of our deadlines. And it turned out hers wasn't even due til Tuesday! Worse, in the very end I had to carry the *&^% computer to the repair shop with my own bare hands… I know my rendered 5 min. of audio was not professional or mesmerizing, but I did courier it into the CBC contest for the Monday. And, blessings or alas, now all I have to show for this effort, is Alice’s rendered A+ reel, for the Ryerson Broadcast program. She left it behind on cd, before both projects were deleted from the Media Library. To hear the track I sent to DNTO, track down Alice, since she also burned a copy of my "feature" and my three songs, to take with her when she finally moved out."
A GET TO KNOW KIM LOGUE-LIKE-VOGUE HOMETOWN PLAYLIST
1. Four Strong Winds, the Band with Neil Young (Track 6, Disc 2 The Last Waltz)
The focus of a recent Groove Shinny taping was artists overcoming obstacles. I never got to say that both Neil Young and Joni Mitchell were affected in their left hand by the same 1952 prarie outbreak of polio. They are both intense and unique guitar players as a result. Isn’t that interesting? This is a distinctly Canadian, thus hometown, song performed by Young, and Mitchell joins in on vocals on this Last Waltz concert record.
2. A Case of You, Joni Mitchell (Track 9, Blue)
Georgia O’Keefe told Joni Mitchell that if she had been blessed with a voice, she would not have painted. I love how Joni does both in this beautiful hometown song.
3. Bitter Beauty, Jason Collett (Track 1, Motel Motor Love Songs)
Another song that speaks to the magic in overcoming adversity is by Collett, an old friend of a friend that tours extensively as a member of Broken Social Scene. “The calibre of Toronto’s music scene is unmatched anywhere” he said, “it’s inspirational, if intimidating, to come home.”
4. Country Home, Raising the Fawn (Track 5, Self Titled EP)
Another Broken Social Scene side project, this one (the press kit says) to embody the fact that relationships and bands don’t work. But this music sure does. Personally, I love the banjo.
5. Sign, Gordon Shawcross (Track 1, Egypt, Mississippi)
Speaking of broken social scenes, this song, by my dear friend and former-husband, is about the hard drinkers in the front room of Clinton’s tavern in Toronto. And employs some of Calgary’s finest musicians, where we collaborated on the concept album of travel songs, recorded to represent our North American Road Trip.
6. Punchdrunk Lover, Amer Diab (Track 1, The Year of the Apology)
This song about an intense knock-out-punch of a chick inspired me to seek Diab out for a guitar/singing lesson, and thus the rafters of my coach house were immersed in the magical notes of this talented artist and his resonator guitar.
7. Shadow of Doubt, Cash Brothers (Track 1, Brand New Night)
Thanks to the Cash Brother’s appearance on CBC’s PLAY, I finally heard the rocking new live sounds of my all time favourite Skydigger, Peter Cash and his punky older brother. You can read my review of Brand New Night at http://www.spillmagazine.com.
8. Monday Morning Blues, Skydiggers (Track 1, Skydiggers)
What better way to sign off than an old fashioned Skydiggers song? I recently had a surreal Spadina streetcar experience with Andy Maize, lead singer of the Skydiggers. His insightful and forthright responses to a spontaneous interview, as the A/R guru for Maple Music, convinced me you can’t be a rockstar without a day job. So I wanna be Sook Yin Lee, and I’m starting with this playlist. Bring on the Monday Morning Blues!
Additional Project Scope: Maggie Turns Three*, Logue’s unadulterated live song performances were a one take, first timer effort to include 3 original lyrics (known as Why Jerome, counterpoint, and Riley’s Art), with sparse acoustic self-accompaniment.
The Interviews:
Who are you? How well do you know the CBC? How well do you know the music industry? How well do you know me? What should I be concentrating on career-wise right now (progressing as a rock star, or seeking a day job like being the host of DNTO?)
The Interviewees:
Teri Hart, On-Air Host The Movie News; Pedro Mendes, CBC, GrooveShinny/Chase/GO; Ian Cauthery, CBC, Arts Canada; Michael Williams, Making Faces; Gordon Shawcross, Acoustic Traditions; Phone interviews recorded with Blair Langley at Dunn Studios.
Post Project Rants from The Interviewer:
“I was proud of the project actually, but I broke up with my room mate over it. We fought over computer time because of our deadlines. And it turned out hers wasn't even due til Tuesday! Worse, in the very end I had to carry the *&^% computer to the repair shop with my own bare hands… I know my rendered 5 min. of audio was not professional or mesmerizing, but I did courier it into the CBC contest for the Monday. And, blessings or alas, now all I have to show for this effort, is Alice’s rendered A+ reel, for the Ryerson Broadcast program. She left it behind on cd, before both projects were deleted from the Media Library. To hear the track I sent to DNTO, track down Alice, since she also burned a copy of my "feature" and my three songs, to take with her when she finally moved out."
A GET TO KNOW KIM LOGUE-LIKE-VOGUE HOMETOWN PLAYLIST
1. Four Strong Winds, the Band with Neil Young (Track 6, Disc 2 The Last Waltz)
The focus of a recent Groove Shinny taping was artists overcoming obstacles. I never got to say that both Neil Young and Joni Mitchell were affected in their left hand by the same 1952 prarie outbreak of polio. They are both intense and unique guitar players as a result. Isn’t that interesting? This is a distinctly Canadian, thus hometown, song performed by Young, and Mitchell joins in on vocals on this Last Waltz concert record.
2. A Case of You, Joni Mitchell (Track 9, Blue)
Georgia O’Keefe told Joni Mitchell that if she had been blessed with a voice, she would not have painted. I love how Joni does both in this beautiful hometown song.
3. Bitter Beauty, Jason Collett (Track 1, Motel Motor Love Songs)
Another song that speaks to the magic in overcoming adversity is by Collett, an old friend of a friend that tours extensively as a member of Broken Social Scene. “The calibre of Toronto’s music scene is unmatched anywhere” he said, “it’s inspirational, if intimidating, to come home.”
4. Country Home, Raising the Fawn (Track 5, Self Titled EP)
Another Broken Social Scene side project, this one (the press kit says) to embody the fact that relationships and bands don’t work. But this music sure does. Personally, I love the banjo.
5. Sign, Gordon Shawcross (Track 1, Egypt, Mississippi)
Speaking of broken social scenes, this song, by my dear friend and former-husband, is about the hard drinkers in the front room of Clinton’s tavern in Toronto. And employs some of Calgary’s finest musicians, where we collaborated on the concept album of travel songs, recorded to represent our North American Road Trip.
6. Punchdrunk Lover, Amer Diab (Track 1, The Year of the Apology)
This song about an intense knock-out-punch of a chick inspired me to seek Diab out for a guitar/singing lesson, and thus the rafters of my coach house were immersed in the magical notes of this talented artist and his resonator guitar.
7. Shadow of Doubt, Cash Brothers (Track 1, Brand New Night)
Thanks to the Cash Brother’s appearance on CBC’s PLAY, I finally heard the rocking new live sounds of my all time favourite Skydigger, Peter Cash and his punky older brother. You can read my review of Brand New Night at http://www.spillmagazine.com.
8. Monday Morning Blues, Skydiggers (Track 1, Skydiggers)
What better way to sign off than an old fashioned Skydiggers song? I recently had a surreal Spadina streetcar experience with Andy Maize, lead singer of the Skydiggers. His insightful and forthright responses to a spontaneous interview, as the A/R guru for Maple Music, convinced me you can’t be a rockstar without a day job. So I wanna be Sook Yin Lee, and I’m starting with this playlist. Bring on the Monday Morning Blues!
The Spadina Surprise (enroute to Harbourfront)
I want to tell you about the day I was on my way to Harbourfront for a shift and I was thinking maybe I needed to swing by Maple Music and deliver another kooky package to Andy Maize; another in a series of unique and freewheelin' invitation deliveries -- a repeated contact strategy that was to stay in active execution until I had the nerve and timing to reach him by phone, or in person and get an "official" interview. There was a lot that I really wanted to ask him. Except at that moment, I had left the Spill and had been unable to get my own magazine going with the brunch boys and I still wasn't getting calls back from James at Exclaim and so I'm southbound on Spadina and I'm thinking about all that.
And I'm thinking up guitar playing discussion topics for Aaron if he's on shift and I'm thinking how he practices his guitar in bathroom while his girlfriend tries to sleep meanwhile I have a huge house empty except for all the guitars I want to learn to play and I even think his girlfriend's MOM is cute so why won't he just come back after work with me and la la la I'm making notes in my book about whatever and for whatever stroke of luck I do not have a walkman on and who comes down the street car aisle but Mr. Fancy Andy himself!
I probably wiggled in my seat and maybe I smiled and I know for sure we made direct eye contact right before he sat across the aisle, two rows up. Meanwhile, there's an empty seat right beside me. So I go:
I CAN'T BELIEVE YOU DIDN'T SIT BESIDE ME!
And you know what? He got up and came and sat beside me.
So, I said thanks so much, you know. Because um, my name is Kim and um I've been trying to get your time so I can ask you some questions you know because I'm a writer you know and um I even have my book here and everything you know but um now you're here and um I can't think of anything to ask you, you know?
And HE wiggled in his seat. More like squirmed I guess, like his winter coat was too hot on the croweded china town public transit... and then, after this possibly suffocating pause, I was so grateful when he just calmly and generously said "Well, okay, so, who do you write for?"
* *
He said some of the greatest Canadian musicians I know work in shipping and receiving, when they aren't away on a tour. And I said, "But why are they allowed to just come and go?" And he said "Well I guess they just find employment in a business environment that is conducive or supportive of that type of external activity." That shut me up for a second and then I said,
"I'm working at a place like that right now. In fact, I'm hoping I'm on shift with the guy I call my virtual guitar teacher. Because, so far I have not been able to get him in the same room with me and two guitars, but we talk about stuff. And, you can learn that way."
And Andy looked surprised "You can?"
And I sighed "Well, I bet it would go a f*@! of a lot faster if we got together but, I'm learning."
***
the name of sook yin lee's first band was fancypants?
but that's what people call ME!!!have i told you about getting busted in the post office in jerome trying to pretend my p.j.s were clothes? zif. i guess i wasn't the first person in town to be so fashionable but at least I wasn't working that day...fancypants?i have to say, its a great band name.
my own best fancypants are my aimee mann fan pants, which i was wearning at the maple lounge when i won a trivia question prize from cmv with andy maize in the room and when i 'met' barbara gowdy. i sure do wanna be broadcastable like sook yin lee... fancypants INDEED.
And I'm thinking up guitar playing discussion topics for Aaron if he's on shift and I'm thinking how he practices his guitar in bathroom while his girlfriend tries to sleep meanwhile I have a huge house empty except for all the guitars I want to learn to play and I even think his girlfriend's MOM is cute so why won't he just come back after work with me and la la la I'm making notes in my book about whatever and for whatever stroke of luck I do not have a walkman on and who comes down the street car aisle but Mr. Fancy Andy himself!
I probably wiggled in my seat and maybe I smiled and I know for sure we made direct eye contact right before he sat across the aisle, two rows up. Meanwhile, there's an empty seat right beside me. So I go:
I CAN'T BELIEVE YOU DIDN'T SIT BESIDE ME!
And you know what? He got up and came and sat beside me.
So, I said thanks so much, you know. Because um, my name is Kim and um I've been trying to get your time so I can ask you some questions you know because I'm a writer you know and um I even have my book here and everything you know but um now you're here and um I can't think of anything to ask you, you know?
And HE wiggled in his seat. More like squirmed I guess, like his winter coat was too hot on the croweded china town public transit... and then, after this possibly suffocating pause, I was so grateful when he just calmly and generously said "Well, okay, so, who do you write for?"
* *
He said some of the greatest Canadian musicians I know work in shipping and receiving, when they aren't away on a tour. And I said, "But why are they allowed to just come and go?" And he said "Well I guess they just find employment in a business environment that is conducive or supportive of that type of external activity." That shut me up for a second and then I said,
"I'm working at a place like that right now. In fact, I'm hoping I'm on shift with the guy I call my virtual guitar teacher. Because, so far I have not been able to get him in the same room with me and two guitars, but we talk about stuff. And, you can learn that way."
And Andy looked surprised "You can?"
And I sighed "Well, I bet it would go a f*@! of a lot faster if we got together but, I'm learning."
***
the name of sook yin lee's first band was fancypants?
but that's what people call ME!!!have i told you about getting busted in the post office in jerome trying to pretend my p.j.s were clothes? zif. i guess i wasn't the first person in town to be so fashionable but at least I wasn't working that day...fancypants?i have to say, its a great band name.
my own best fancypants are my aimee mann fan pants, which i was wearning at the maple lounge when i won a trivia question prize from cmv with andy maize in the room and when i 'met' barbara gowdy. i sure do wanna be broadcastable like sook yin lee... fancypants INDEED.
CBC Radio One, 99.1
At Steven Heighton's book launch, a reading at Harbourfront, he signed
"I bet you kick Jessie's butt in the rubber match."
*
GrooveShinny is CBC Radio’s rock ‘n roll Jepoardy game – a musical cage match between a musicologist, a recording artist and some nobody dragged in from off the street. Will, Kim Logue as the week's "perfect stranger" stun the nation with a profound knowledge of seventies disco, Chicago soul, German choral music and Honeymoon Suite? Or will she head to the showers early via the trap door in the studio’s floor?
Broadcast Date: Saturday, April 10, 2004; 11:05 – 11:35* am CBC Radio One, 99.1 fm
Description: A musical scrimmage, sort of a shinny hockey game with music;
Logue wrote GO, after hearing an on-air plea for chicks with musical knowledge. “First, I had to agree to gut a fish on air” she reports, then was invited to get together to stick handle tunes, and given the chance to dazzle the following opponents:
Jesse Cook, Recording Artist: Juno Award-winning rumba flamenco guitarist Cook has performed to sold-out crowds in the US, Canada, Singapore, Australia and Hong Kong. To promote his fifth album, Nomad, an "epic musical odyssey", Cook travelled the world with air miles and a laptop computer recording guest artists in places as diverse as Cairo, Madrid, London, and across the US. Whether it's continually striving to improve or a natural modesty, Cook is self-effacing, though his long, flowing locks and chisel-jawed good looks have earned him legions of fans whose enthusiasm can get "a little strange at times."
Richard Crouse, Musicologist: Host of Reel to Reel, Canada’s longest running television show about movies. A film commentator he reviews movies, covers the Cannes and Toronto International Film Festivals and welcomes hundreds of notable guests such as Woody Allen, Martin Scorsese and Mike Myers. Richard is thrilled to have an outlet for the heaps of useless music knowledge that clutters his head.
Brent Bambury, Host: In 1984 he started working for Radio Two’s Brave New Waves and then joined GO, in 1985 as permanent host. For nearly 10 years he messed with minds of an entire generation, and became known as a purveyor of obscure and emerging music, and a guide to alternative culture. He sharpened his skills as host and interviewer. He drank a lot of coffee and broke a lot of rules but somehow avoided being fired.
“Thanks for letting us embarass you on GrooveShinny! Just kidding. You were great! I am still stunned by your Roy Orbison answer.” -- Pedro Medes, GrooveShinny, CBC Producer
“Thanks for bringing your energy and fun to the show!” – Kai Black, GO, CBC Producer
"I bet you kick Jessie's butt in the rubber match."
*
GrooveShinny is CBC Radio’s rock ‘n roll Jepoardy game – a musical cage match between a musicologist, a recording artist and some nobody dragged in from off the street. Will, Kim Logue as the week's "perfect stranger" stun the nation with a profound knowledge of seventies disco, Chicago soul, German choral music and Honeymoon Suite? Or will she head to the showers early via the trap door in the studio’s floor?
Broadcast Date: Saturday, April 10, 2004; 11:05 – 11:35* am CBC Radio One, 99.1 fm
Description: A musical scrimmage, sort of a shinny hockey game with music;
Logue wrote GO, after hearing an on-air plea for chicks with musical knowledge. “First, I had to agree to gut a fish on air” she reports, then was invited to get together to stick handle tunes, and given the chance to dazzle the following opponents:
Jesse Cook, Recording Artist: Juno Award-winning rumba flamenco guitarist Cook has performed to sold-out crowds in the US, Canada, Singapore, Australia and Hong Kong. To promote his fifth album, Nomad, an "epic musical odyssey", Cook travelled the world with air miles and a laptop computer recording guest artists in places as diverse as Cairo, Madrid, London, and across the US. Whether it's continually striving to improve or a natural modesty, Cook is self-effacing, though his long, flowing locks and chisel-jawed good looks have earned him legions of fans whose enthusiasm can get "a little strange at times."
Richard Crouse, Musicologist: Host of Reel to Reel, Canada’s longest running television show about movies. A film commentator he reviews movies, covers the Cannes and Toronto International Film Festivals and welcomes hundreds of notable guests such as Woody Allen, Martin Scorsese and Mike Myers. Richard is thrilled to have an outlet for the heaps of useless music knowledge that clutters his head.
Brent Bambury, Host: In 1984 he started working for Radio Two’s Brave New Waves and then joined GO, in 1985 as permanent host. For nearly 10 years he messed with minds of an entire generation, and became known as a purveyor of obscure and emerging music, and a guide to alternative culture. He sharpened his skills as host and interviewer. He drank a lot of coffee and broke a lot of rules but somehow avoided being fired.
“Thanks for letting us embarass you on GrooveShinny! Just kidding. You were great! I am still stunned by your Roy Orbison answer.” -- Pedro Medes, GrooveShinny, CBC Producer
“Thanks for bringing your energy and fun to the show!” – Kai Black, GO, CBC Producer
Harbourfront - Sounds Like Canada@CBC
CBC used this letter on air Jun 29, 2005 , soundslikecanada@cbc.ca
Dear Jian,
I think Hidden Cameras hang out in the coolest places! And I know that means admitting I’m a suburban girl at heart. I remember stopping by for coffee at the Rogue Recording studios, to fill in James Paul on my first ever Hillside visit, and how I liked the sound of the band in the back room. After the striped scarfed, skinny rockstar guy finished his unobtrusive call on the wall mounted phone beside the kitchen table we were chatting at, I learned he was Joel Gibb.
Shortly thereafter I worked a sound art event at Harbourfront, called Art Metropole and really, really enjoyed both the "music is my boyfriend" merchandising, and the awesome overhead doodles and beautiful music.
Anyway, I just wanted to offer a hearty thank you for the city vs. suburbs discussion on CBC radio this week!! I heard the program with during a sick day off work, while progressing a hunt for a new home. Is it thanks to you I have decided to look in the burbs!?!?! I will miss the walking and enjoy a soaker tub. The use of the Hidden Cameras song at the conclusion of the piece was perfect.
Thanks for great radio.
Signed,
Excited about Etobicoke
Dear Jian,
I think Hidden Cameras hang out in the coolest places! And I know that means admitting I’m a suburban girl at heart. I remember stopping by for coffee at the Rogue Recording studios, to fill in James Paul on my first ever Hillside visit, and how I liked the sound of the band in the back room. After the striped scarfed, skinny rockstar guy finished his unobtrusive call on the wall mounted phone beside the kitchen table we were chatting at, I learned he was Joel Gibb.
Shortly thereafter I worked a sound art event at Harbourfront, called Art Metropole and really, really enjoyed both the "music is my boyfriend" merchandising, and the awesome overhead doodles and beautiful music.
Anyway, I just wanted to offer a hearty thank you for the city vs. suburbs discussion on CBC radio this week!! I heard the program with during a sick day off work, while progressing a hunt for a new home. Is it thanks to you I have decided to look in the burbs!?!?! I will miss the walking and enjoy a soaker tub. The use of the Hidden Cameras song at the conclusion of the piece was perfect.
Thanks for great radio.
Signed,
Excited about Etobicoke
Subscribe to:
Posts (Atom)
